Saturday, May 1, 2010
Friday, April 30, 2010
Lecture 7 - The Black Box Reflection

Erika Kruger's project "The Black Box, The Concealed Room" captivates aspects of The Shadow within a spectrum of perspectives, where Book 5: "Shadow in Repetition" presents different axonometric outlooks of a proposed art gallery. This slide highlights the idea of structural repetition where components have been integrated along an extent of a wall section (on the left) in that the casting of a light source from above, creates a sense of correlation between the physical objects and their "lively" shadows. A narrowed snapshot of the complex (on the right), depicts the consequence of lighting through negative prisms carved out of a stretch of repetitive structural features.
In modification to my work, I plan to develop terrestrial pillars to depict a distinctive landform that emphasises the idea of repetition, in that the effects of lighting and shadow poses a significant perspective upon a structure consisting solid blocks and negative prisms.
Saturday, April 24, 2010
EXP2 - Screenshots: 9 rectangular prisms
Friday, April 23, 2010
Monday, April 19, 2010
EXP2 - 3 Quotes & Electroliquid Aggregation
Sir Stephen William Hawking, (born 8 January 1942) is a British theoretical physicist, whose world-renowned scientific career spans over 40 years. Hawking's key scientific works to date have included providing, with Roger Penrose, theorems regarding singularities in the framework of general relativity, and the theoretical prediction that black holes should emit radiation, which is today known as hawking radiation.
Fools’ experiments are like computer viruses that should count as life, saying something about human nature where the only form of life we have always been making so far is purely destructive.
Sunday, April 11, 2010
7 Images for 2 DRAFT and FINAL DEVELOPED

The emotion of curiosity is visually displayed in this section with the spiral stairs integrated with windows that attracts the person on the stairs to look out from. It poses as a physical manipulation of the spectator (i.e. artist, Goodwin) to be inspired by the Unknown (beyond the window).
materials - transparent glass for ABOVE section, patterned tiles for stairs.

This is the attempt to demonstrate the idea of detachment, having separate studio and work rooms spaced out under the ground plane - having Piccinni to feel "foreign" to her surroundings, uncertain of where the other rooms are situated.
materials - patterned tiles for floor




Sketch Up Animations
- ARCH1101 - 3332288 Susan Koo - EXP1 FINAL part1
- ARCH1101 - 3332288 Susan Koo - EXP1 FINAL part2
- ARCH1101 - 3332288 Susan Koo - EXP1 FINAL part3



















